{"id":1625,"date":"2023-03-17T16:53:39","date_gmt":"2023-03-17T15:53:39","guid":{"rendered":"https:\/\/www.horizonviolet.com\/horizonvioletNEW\/?post_type=product&#038;p=1625"},"modified":"2023-04-07T13:48:25","modified_gmt":"2023-04-07T11:48:25","slug":"ricardo-sandoval-nostalgia","status":"publish","type":"product","link":"https:\/\/www.lhorizonviolet.com\/en\/produit\/ricardo-sandoval-nostalgia\/","title":{"rendered":"Ricardo Sandoval <span>Nostalgia<\/span>"},"content":{"rendered":"<p><strong>Ricardo Sandoval <\/strong>: mandolin, bandola llanera, bandola oriental<br \/>\n<strong>Antonio Gim\u00e9nez <\/strong>: cuatro, guitar<br \/>\n<strong>Crist\u00f3bal Soto <\/strong>: guitar<\/p>\n<p><strong>About the album \u00ab\u00a0Nostalgia\u00a0\u00bb (2000)<br \/>\n<\/strong><\/p>\n<p>\u201cIn 1996, after finishing my higher education and having had multiple artistic experiences in Venezuela, I took the road to Europe, more specifically Germany, to deepen my musical training. The academic repertoire and technical work then demanded all my concentration and my will, because I had come to learn and discover, moreover, another culture and a rich history.<\/p>\n<p>Even if this learning time was extremely interesting and profitable, I could not help but regret the living practice of music that I had known in Venezuela: every week, musicians\u2019 meetings where we re-created the traditional repertoire, where the composers presented their new pieces and where we had fun improvising on typical themes and rhythms. I missed this ubiquitous music and wondered if I would not end up losing this ability to make Venezuelan music spontaneously, without score or repetition. The title \u201cNostalgia\u201d, a piece by my friend Gerson Garc\u00eda, a slow merengue (typical five-beat music), pretty much summarized my feelings at that time.<\/p>\n<p>That\u2019s why I wanted to dedicate my first recording to the repertoire that I usually played in the \u00ab\u00a0parrandas\u00a0\u00bb (musical meetings) in Venezuela, aware that it would be a little different, because I was now playing\u00a0 an instrument of slightly different manufacturing, with a technique and expressive resources that I had learned in Europe.<\/p>\n<p>When I presented this work in Venezuela I had some apprehension, not knowing what would be the reaction of colleagues and of the public in the country, accustomed to certain sounds and well-defined styles. Fortunately, my recording was very well received and I was reassured not to betray but rather to inspire Venezuelan mandolinists with new sounds and interpretations.<\/p>\n<p>Ricardo Sandoval<\/p>\n<p>The composers of the pieces are as follows:<\/p>\n<p>1 Sapito lipon \/ Francisco (Chico) Eloy<br \/>\n2 Pena Tabua \/ Altamiro Carrilho<br \/>\n3 Aires de Mochima \/ Rom\u00e1n Calzadilla<br \/>\n4 El Pollo \/ Ismael Querales<br \/>\n5 Nostalgia \/ Gerson Garcia<br \/>\n6 Apoteosis \/ Juan Pablo Ceballos<br \/>\n7 Diablesa \/ Juan Pablo Ceballos<br \/>\n8 Colinas de Sabaneta \/ Juan Esteban Garcia<br \/>\n9 Un secundo de lucero \/ Ismael Querales<br \/>\n10 Mercedes \u2013 el Parrandero \/ Daniel Mayz<br \/>\n11 Valse Corse \/ Ren\u00e9 Vallecalle<br \/>\n12 Entrada a Cumanacoa \/ Daniel Mayz<br \/>\n13 Cinco Companeros \/ Alfredo da Rocha Viana Filho (Pixinguinha)<br \/>\n14 El Porfiao \u2013 El Frutero \/ Alberto Mu\u00f1oz-Cruz Felipe Iriarte<\/p>\n<p>Cover painting by Vanessa Fanuele.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ricardo Sandoval : mandolin, bandola llanera, bandola oriental Antonio Gim\u00e9nez : cuatro, guitar Crist\u00f3bal Soto : guitar About the album \u00ab\u00a0Nostalgia\u00a0\u00bb (2000) \u201cIn 1996, after finishing my higher education and having had multiple artistic experiences in Venezuela, I took the road to Europe, more specifically Germany, to deepen my musical training. The academic repertoire and [&hellip;]<\/p>\n","protected":false},"featured_media":1516,"template":"","meta":[],"product_brand":[],"product_cat":[],"product_tag":[],"class_list":{"0":"post-1625","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","7":"first","8":"outofstock","9":"shipping-taxable","10":"purchasable","11":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ricardo Sandoval Nostalgia - L&#039;Horizon Violet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lhorizonviolet.com\/en\/produit\/ricardo-sandoval-nostalgia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ricardo Sandoval Nostalgia - L&#039;Horizon Violet\" \/>\n<meta property=\"og:description\" content=\"Ricardo Sandoval : mandolin, bandola llanera, bandola oriental Antonio Gim\u00e9nez : cuatro, guitar Crist\u00f3bal Soto : guitar About the album \u00ab\u00a0Nostalgia\u00a0\u00bb (2000) \u201cIn 1996, after finishing my higher education and having had multiple artistic experiences in Venezuela, I took the road to Europe, more specifically Germany, to deepen my musical training. 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